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Getting to know the new dancers: Emily Dixon

Tuesday, September 30, 2014

1. Where are you from? I was born in Lubbock, TX but I grew up in the Dallas/Ft. Worth area in a city called Colleyville, Texas.

2. Where did you train/dance before coming to Colorado Ballet? I received my early training at the Ballet Academy of Texas under the direction of Lisa Slagle, Tom Nicholson and Jenny Johnston. After graduating high school, I joined Tulsa Ballet II where I stayed for two seasons. Next, I moved to Sarasota, Florida to dance with Sarasota Ballet under the direction of Iain Webb. I performed with the Sarasota Ballet for five seasons until I moved here to Denver to join the Colorado Ballet.

3. What did you do with your summer break? The word that comes to my mind when I think about my summer break is "transition." I spent the summer at home in Texas with my family as I prepared to make the big move to Denver. It's a heavy thing to leave a place that you've lived in for five years. I have so many wonderful friends and memories of my time in Florida, so it was both exciting and difficult to leave. It was great to spend time in Texas to mentally transition and gear up for the next chapter in my life. There's something about home that reminds you of who you are, and I believe that before a big life change it's important to remember that. I was poured into by many close friends and my parents which I'm incredibly grateful for! Aside from preparing for the move, I kept myself in shape by taking ballet and yoga classes every day. I also taught ballet to little ones quite a bit- that's always fun!

4. What age did you first start dancing? What do you remember from your first class? I took my first ballet class when I was five years old. I wish I remembered it, but I don't. My mom tells me that she first took me to a gymnastics class, and I insisted that I wear a tutu to that class. I did! The gymnastics teacher came out after and told my mom to put me in ballet!

5. Who are your ballet role models? Dancers that inspire you. Kelly Yankle. I met and danced alongside of Kelly in Sarasota. She taught me so much. Not only is Kelly a beautiful dancer, but she's a beautiful person. Kelly took me under her wing, so to say, and coached me from the inside out. She immediately recognized my battle with fear and made it her goal to battle alongside with me. Kelly constantly reminded me to be bold and to not apologize for who I am no matter what. I saw that fearlessness in her dancing, and it's something I want to be someday. I strive to be the bold and tenacious, yet gracious dancer and person that Kelly embodies. 

6. Proudest moment in your ballet career? Goodness, that's a hard one! I just think of many times that I've been overwhelmed with gratitude over the opportunity that I've been given to do what I love. I remember coming off stage after performing a pas de deux choreographed by Sarasota Ballet Soloist Alex Harrison called The Blue Hour, in which I was partnered by Ian Tanzer. We had one shot at this difficult pas de deux, and we did it. We had the most beautiful and emotional time on stage, and we both left feeling so grateful for that chance! Another proud moment was after performing Ashton's Monotones II with Juan Gil and Daniel Pratt. That ballet is all about partnership and teamwork between the three dancers, and when you do it, you feel such a sense of gratitude for your partners...and their patience haha!!

7. Best advice you’ve ever received from a teacher? I'm going to twist this one a bit and use a teacher, but not a ballet teacher- my father. I admit that I struggle with intimidation a lot in the studio. I'll be the first to admit that I'm not a flashy technician. I'm not the strongest, but I love to dance. I love to perform. I want to tell a story, my story, and it's my aim in this profession to convey a message to the audience and leave them wanting more of the story. That being said, my dad (who knows me well, right?) told me this one time, and it's stuck with me ever since...it was before a performance. He said, "Em, don't dance to not mess up. Dance to give your gift to the audience. If you dance in fear, you are withholding and hiding. Give yourself freely and confidently. Don't withhold. Give." My heart is full of a story that I want to share with the audience, and I'm continually learning to give and to not withhold. We've been entrusted with a gift- and everyone's gift is different- but it's a shame to hide that gift just because you're afraid of being rejected or of failing. Thanks, Dad :)

8. Favorite ballets to dance? Which are favorite to watch? Three ballets immediately came to my mind, and they're all made by George Balanchine : Who Cares?, Diamonds,  and Serenade. I found such freedom in performing all three of these ballets. I was one of the 5 girls in Who Cares? and I had SO much fun. The 5 girls part is incredibly hard, but it was a joy to dance because the movement was cute and playful, and who doesn't love a good Gershwin score?!? Diamonds holds a very special place in my heart because while we were learning and performing this ballet, I really came to know who I am. We live environment that can easily steal our identity as women and point out all of our flaws, and Diamonds reminded me of my worth. Despite my imperfections, I'm a priceless and rare creation of God- like a diamond. I was challenged to remember that. Last, Serenade. I've yet to meet a girl who doesn't love this ballet! The music alone is enough to make one cry. I found my own personal story in the four movements of Serenade,  so performing it felt like I was out there giving a testimony through my way of speaking- dancing. 

9. Dream role? Definitely Juliet Capulet. I love to act, and her role is so raw with emotion.

10. What do you like to do when you aren’t dancing (your free time)? Well, there's lots of things I enjoy doing. I really enjoy taking yoga classes after work every day. I also love spending time alone digging into the Bible. I'm a believer in Jesus Christ, and I love learning more and more about biblical history and diving into the text. So I'm a bit of a book nerd in that sense! I also have some dear friends that live here in the Denver area, and I love spending time with them when I can. I'm always one for a good heart to heart conversation- I'm fueled by those deep friendships! I'm also a big shopper, so I try to keep myself out of the stores :)

11. What are some of your indulgences? Oh dear, this is a dangerous question! The earlier question about free time brought up my love of shopping. When it comes to shopping indulgences, I'll admit that I'm a Lululemon addict. When it comes to food, everyone who knows me well knows that I LOVE peanut butter. If you give me a jar of peanut butter, I'll gladly indulge :)

12. Do you have any pre-performance routines/rituals? I gain my inspiration and confidence from my faith in Jesus Christ. Before a show, I will usually spend some time in the Bible getting strength from His promises. You can find me with my ipod in and turned up with a playlist of encouraging music to get my heart and head in the right place. Then, you can usually find me taking in a spoonful of peanut butter before hitting the stage :) 

13. What production(s) are you most excited about this year? Considering that my favorite ballets are all Balanchine, I'm excited about Concerto Barocco. Concerto is definitely different that the three ballets that I mentioned earlier, but I'm looking forward to the challenge. I've never performed a Balanchine ballet that I didn't fall in love with and many of them have pushed me outside of my comfort zone.

Colorado Ballet presents spine-tingling Dracula during Halloween weekend

Thursday, September 18, 2014

Colorado Ballet will present Dracula, October 31-November 2, 2014 at the Ellie Caulkins Opera House.  Dracula features choreography by Michael Pink and music by Philip Feeney, performed live by the Colorado Ballet Orchestra.

 

“Come sink your teeth into this spine-tingling ballet full of seductive vampires, frightening mental patients and the king of the undead himself, Count Dracula,” said Gil Boggs, Colorado Ballet Artistic Director.  “Our audience requests this production over and over again and we cannot wait to perform Dracula during Halloween weekend this year.  This is one of the most popular ballets we perform and because it is for one weekend only, we are expecting full houses for every performance.”

 

Based on Bram Stoker’s Gothic horror, Dracula contains mature content and is not recommended for children ages 13 or younger.

  

“Our production of Dracula is big, with grand sets including a train station, grand hotel, sanatorium, a terrifying underground vault and of course, Count Dracula’s Castle in Transylvania,” said Boggs.  “Audiences will feel like they are part of the action, as if any moment Count Dracula could sneak up behind them in the theater.  People who love the book or any of the other adaptations of this horror classic will love Colorado Ballet’s performance because the story is easy to follow and the dancing and music enhance the passion and terror of this deliciously macabre ballet.”

 

Performance Dates and Times:

Friday, October 31, 2014 @ 7:30 p.m.

Saturday, November 1, 2014 @ 2 p.m.

Saturday, November 1, 2014 @ 7:30 p.m.

Sunday, November 2, 2014 @ 2 p.m.

 

Ticket prices range from $25 to $155. To purchase tickets, visit www.coloradoballet.org or call 303-837-8888 ext. 2.  Dracula is presented by PwC.

 

Colorado Ballet will also host several special events around Dracula including a costume party after the performance on Halloween night and a Bloody Mary Brunch for the Center Stage Young Patrons group before the November 2 performance.  For more information on either of these events, visit www.coloradoballet.org/events.

Artists of Colorado Ballet in "Dracula" by Terry Shapiro

Getting to know the new dancers: Emily Speed

Thursday, September 11, 2014

We sent out a questionnaire to our new dancers to get to know them a little better.  

Here is the response from one of our new Corps de Ballet dancers, Emily Speed:


1.  Where are you from?

The Dallas/Fort Worth, TX area


2.  Where did you train/dance before coming to Colorado Ballet?

I have danced with several different companies including Alabama Ballet, Ballet Tucson and Boulder Ballet. Before graduating, I trained with Marina Almayeva.


3.  What did you do with your summer break?

My husband and I were married and he moved here to Denver. I also went with Kevin Wilson to Jackson, MS and competed in the USA international ballet competition there. We performed a classical pas de deux and a contemporary duet.


4.  What age did you first start dancing? What do you remember from your first class?

My first dance class I was only 3 years old but didn't start my classical training until much later. I just remember I always loved dancing and performing.


 

5.  What was your first ballet you remember attending?

It was a gala, but I remember they performed "Le Spectre de la Rose."


6.  Who are your ballet role models? Dancers that inspire you.

I love watching Natalia Osipova because she is such an amazing technician and isn't necessarily what you first think of when you think of a ballet dancer.


7.  Proudest moment in your ballet career?

It is hard to pinpoint one, but I am really proud to be where I am right now and it was a culmination of many events that has made me the dancer I am today.


8.  Best advice you’ve ever received from a teacher?

Amanda McKerrow has always told me to just "stay present" on stage. It seems simple but for me it is always a good reminder to not think about what's already happened or what will and to truly focus on the role no matter how big or small.


9.  Favorite ballets to dance? Which are favorite to watch?

Don Quixote has so much life and is always fun to perform  and I also loved performing Serenade. I love watching all the classics but especially GiselleSwan Lake and La Bayadere.


10.  Dream role?

Medora in Le Corsaire or Kitri in Don Quixote


11.  What do you like to do when you aren’t dancing (your free time)?

I really enjoy spending time with my family and husband. I love yoga, cooking, and traveling.


12.  What are some of your indulgences?

Chocolate :)


13.  Do you have any pre-performance routines/rituals?

I get really chatty when I'm nervous or excited for a show but I like to have my hair done first and wait to finish my makeup until just before curtain. Depending on the part, I check certain sections from the piece on stage. If I do it well once I leave it there but I have to do it well once. I also like to say a quick prayer thanking God for the opportunity to do what I love.


14.  What production(s) are you most excited about this year?

George Balanchine's "Concerto Barocco"!!!!!


15.  What would you say to people who come to see the Colorado Ballet?

Denver is such a wonderful place with so many great things to do but there is something really special about participating in the arts. Thank you for watching and sharing in a wonderful part of this community.

Colorado Children’s Chorale to perform with Colorado Ballet in A Midsummer Night's Dream

Wednesday, September 10, 2014

Colorado Ballet's upcoming season opener of A Midsummer Night's Dream will feature music by the Colorado Ballet Orchestra and the Colorado Children's Chorale.  The production will run from September 26-October 5 at the Ellie Caulkins Opera House.

 

About the Colorado Children's Chorale

Since 1974, the Colorado Children’s Chorale has brought its artistry and charm to audiences throughout the world. With a diverse repertoire ranging from fully staged opera and musical theater to standard choral compositions in classical, folk and popular traditions, the Chorale performs with an innovative stage presentation and a unique theatrical spirit.

 

The Colorado Children's Chorale annually trains 500 members between the ages of 7 and 14 from all ethnicities and socio-economic backgrounds representing more than 180 schools in the Denver metro area and beyond. Since its founding in 1974, the Chorale has sung countless performances with some of the world’s finest performing arts organizations, performed for numerous dignitaries, and appeared in several television and radio broadcasts.

 

For more information on the Colorado Children's Chorale, visit www.childrenschorale.org.

Colorado Children's Chorale

Colorado Children's Chorale

For more information about A Midsummer Night's Dreamplease click here.

About the choreographer of A Midsummer Night's Dream

Friday, September 05, 2014

Choreographer Christopher Wheeldon is a familiar name in the ballet world and Colorado Ballet will showcase his choreography in its upcoming production of A Midsummer Night's Dream September 26-October 5 at the Ellie Caulkins Opera House.  Wheeldon originally set A Midsummer Night’s Dream on Colorado Ballet in 1997.

 

This fanciful production features also features a score by Felix Mendelssohn, performed live by the Colorado Ballet Orchestra and the Colorado Children’s Chorale.

 

Read more about the choreographer:

Christopher Wheeldon joined New York City Ballet in 1993 and was promoted to Soloist in 1998.  He served as NYCB’s first-ever Artist in Residence in 2000/01 and was named NYCB’s first Resident Choreographer in July 2001. Since then he has choreographed at least one ballet a year for NYCB. Outside the ballet world, he choreographed Dance of the Hours for the Metropolitan Opera’s production of Ponchielli’s La Gioconda (2006), as well as ballet sequences for the feature film Center Stage (2000) and Sweet Smell of Success on Broadway (2002). In 2007, Wheeldon founded Morphoses/The Wheeldon Company. In 2009, Wheeldon worked with Richard Eyre on a production of the opera Carmen at the Metropolitan Opera House and in 2010 his new version of The Sleeping Beauty had its premiere with The Royal Danish Ballet. His new full-length ballet Alice’s Adventures in Wonderland was created for The Royal Ballet and given its premiere at the Royal Opera House on February 28, 2011. Thirteen Diversions (created for American Ballet Theatre 2011) and Les Carrillons world premiere formed an all Wheeldon evening at the NYCB in January 2012. In 2014, he is creating a full length version of A Winters Tale for the Royal Ballet and directing and choreographing a musical version of An American In Paris, which will premiere in Paris at the Chatelet Theatre.  His awards include the Martin E. Segal Award from Lincoln Center, the American Choreography Award, a Dance Magazine Award, the London Critic’s Circle Award for best new ballet for Polyphonia, two time Olivier award winner most recently for Aeternum choreographed in January 2013 for the Royal Ballet. Mr. Wheeldon’s recent production of Cinderella won the 2013 Benois De La Danse.

  

Click here for more information about Colorado Ballet's upcoming production of A Midsummer Night's Dream.

Semple Brown Design brings Colorado Ballet's vision for the state's dance culture to life

Tuesday, September 02, 2014

Colorado Ballet's new facility, designed by Semple Brown Design, brings artistic director Gil Boggs' vision to reality while elevating dance as an art form in Colorado and beyond

 

Colorado Ballet and Semple Brown Design, the most recognized performing arts design firm in Colorado, today announced the completion of Colorado Ballet's long awaited move into their new home at 1075 Santa Fe Street (north end of Denver's Art District on Santa Fe.) This move from the Ballet's former home of 20 years to their expansive new facility, brings Artistic Director Gil Boggs' inspiring vision for the largest resident dance company in the state to life. The new space will establish a center for dance where the Ballet will raise the profile of their unique art form in the state overall. 

  

"When I think about my original vision for our new space, and what we are now surrounded by, I'm thrilled to say that this is exactly what I envisioned for Colorado Ballet," said Boggs. "We all feel a strong responsibility to further the art form, and this new space will help us truly accomplish that. Throughout my career, I've noticed that whenever a professional Company owned their own building, they flourished—not only locally, but nationally as well. We want Colorado Ballet to be in the national spotlight and our new building will finally allow us to fulfill that dream. At the core, though, the needs of the dancers, artistic staff and Academy were the driving force behind the design and amenities of this space. Thanks to our Board of Trustees, donors, patrons, Semple Brown Design and CMC Group we have a beautiful, functional new home that will allow us to enter an exciting new phase in our history." 

 

In the fall of 2012, when Boggs turned to architect Rusty Brown, Semple Brown Design's cofounder, and Chris Wineman, the firm's performing arts specialist, to convert a former warehouse into a modern studio for Colorado's premier ballet company, he asked for more than the six studios he had available at their leased space on Lincoln and 13th and a minimum of two studios with floor space that would span the depth and breadth of the Ellie Caulkins Opera House stage so Company dancers could transfer their ballets from rehearsal to stage without adaptation or adjustment. Today, their new space is comprised of eight studios—two the size of the Ellie stage—as well as improved amenities for the Company, including separate locker rooms and showers, a physical therapy and massage room to encourage wellness and prevent injuries, a shared staff and dancer lounge to foster greater interaction between them, as well as safer student drop-off and increased parking in the neighborhood for Academy families. A black box performance space was also on Boggs’ wish list; one that could be used as a studio, yet be converted to a community performance space for more intimate experiences. The new Black Box Theater will enable Colorado Ballet to add in-house productions to their repertoire, foster up-and-coming choreographers—both within the Company and outside, and allow choreographers to practice their craft and present their works to supportive audiences. 

  

Additionally, the increase in the number of Academy studios, their prominent location and visibility also demonstrate how education continues to be a priority for Boggs. "It is the future," he notes. Up to seven dedicated studios will increase and diversify the Academy’s programming. Academy students will have opportunities to perform in the Black Box Theater for First Fridays and other occasions. A new Pre-professional Program will also be launched this fall where high school students will travel to Denver to train with an academic component included. Company rehearsals and Academy classes have commenced for the fall season. 

   

Ultimately, Colorado Ballet's new location represents a literal physical move, as well as a philosophical shift to a new place—a place that's more deeply embedded in its community, and more accessible to all. Semple Brown designed the building with an abundance of glass and open views to allow the Ballet to reach outward into the neighborhood rather than keep its art and activities within. Brown and Wineman also embraced their client's awareness of changing demographics, and how many cultural institutions are intrinsically tied to the community today. To this end, the new building is located outside of the downtown core in a highly diverse arts and cultural district reflecting the role Colorado Ballet will play as the organization moves into the future and becomes increasingly accessible to younger and more diverse audiences. The building's approachable scale also allows the organization to better support their mission to educate the next generation of students through their Academy programs and outreach. And finally, the building helps infuse greater morale within the Company through the establishment of an elegant new home and sense of the Ballet's intrinsic value while emphasizing Colorado Ballet's important contribution to the state and beyond. In Wineman's words, "A 'First Class' space means something—it supports a more substantial vision of what the future can be."

Colorado Ballet Academy Pre-professional Program starts tomorrow

Monday, September 01, 2014

Colorado Ballet Academy will start its Pre-professional Trainee Program tomorrow.  Students must be in high school to be invited to join the pre-professional trainee program and must meet the minimum standards regarding pointe work (for girls) and the physicality generally considered necessary for professional success in classical ballet.  Several of our pre-professional students this fall will participate in online academic programs to allow for more concentration on their ballet training.

  

When not in a concentrated academic environment students, will attend two daily ballet technique classes, augmented with pointe, pirouette and allegro, pas de deux, modern, character, pilates, variations and choreography classes taught by Colorado Ballet Academy faculty members as well as occasional guest artists. Pre-professional trainees may be invited to perform with the Colorado Ballet Company when repertory permits. They may also perform in outreach programs at schools, community centers, and special events, as well as their own full evening performances. Our year-long program culminates in the entire schools Spring Showcase performance in mid-May. At the end of each year, pre-professional students are given first priority for openings in the Colorado Ballet Studio Company as well as admittance to the following year's program.

   

Our all inclusive training program provides a necessary base to ease the transition from student to professional dancer in a focused nurturing environment. Housing and billeting options are available on request.

 

Click here for more information.

Pre-professional
Pre-professional students by Francisco Estevez Photography

Colorado Ballet completes move into new building in Denver's Art District on Santa Fe

Thursday, August 28, 2014

Colorado Ballet announced today that it has completed the move into its new building at 1075 Santa Fe Drive, Denver, CO 80204.  Construction on the 30,000 square foot building at the north end of Denver’s Art District on Santa Fe was completed earlier this month.

  

In January 2013, Colorado Ballet purchased the building on Santa Fe Drive, which had been partially occupied by a sewing machine distributor and parts warehouse. In preparation for a move from the organization's home of 20 years at 13th and Lincoln—a space owned by the Colorado State Land Board—a capital campaign was initiated and major renovations ensued.  

  

Colorado Ballet's new $6.5 million facility ($1.265 million for building and land, $5.235 million for demolition, renovation and finishes) will host rehearsal and training studios as well administrative offices, while performances will continue to take place primarily in the Ellie Caulkins Opera House and Newman Center for the Performing Arts.

 

“The new building will encourage world-class dance to flourish in Colorado and enhance the training of the next generation of dancers,” said Colorado Ballet's Artistic Director Gil Boggs.  “Our new facility will also grow our outreach efforts, bringing dance to thousands of school-kids and people with disabilities. We will also host small performances and events in our new theater, exposing more people to the magic of dance in this thriving arts neighborhood.”

  

The new facility, designed by Denver-based Semple Brown Design, features seven state-of-the-art dance studios for Colorado Ballet’s professional Company and the Colorado Ballet Academy. In addition, a multi-use black box theater will function as both a dance studio and performance space equipped with theatrical lighting, sound and telescoping seats for presenting smaller performances and hosting outside groups and their events. Improved amenities for the Company include locker rooms, showers and a physical therapy room as well as safer student drop-off and increased parking in the neighborhood for Academy families. Denver-based CMC Group, Inc. was the contractor.

  

“The search for a new space for the Colorado Ballet has been our priority for nearly a decade, thus the long awaited opportunity to turn a quiet structure on Santa Fe Drive into a theatrical showcase for the dancers and organization has truly been an honor,” said Rusty Brown, AIA, cofounder and president of Semple Brown Design. “In partnership with Artistic Director Gil Boggs and their board of directors, we’re thrilled to unveil this stunning new space designed to inspire the dancers, elevate learning, and provide one of our state’s artistic treasures a permanent home—all while establishing a new anchor for our city’s booming Santa Fe Arts District.”  

  

“This is the first time in our nearly 54-year history that we will own our building and that is very exciting for everyone involved with Colorado Ballet,” said Boggs. “We have so much to celebrate in our organization; not just the new building, but also last season’s record-breaking attendance and performance revenue and our upcoming season of performances.”

Academy offers new open classes for adults and children

Monday, August 25, 2014

The Colorado Ballet Academy offers many different Open Classes for students who wish to have a more flexible and less intensive training experience.  This fall, the Academy will feature a few new classes in the open program including Yoga for All, Beginning Tango, and Baby Wearing Ballet.  Classes start August 25, 2014 at Colorado Ballet's new state-of-the-art studios at 1075 Santa Fe Drive, Denver, CO 80204.  It is not too late to sign up for these classes, drop-in or purchase a punch card.

Baby Wearing Ballet is a movement/ballet based class uniquely designed to promote fitness while engaging mothers with their babies.  During the class moms will wear their babies in a front or back carrier or sling, recreating the baby's in-utero experience of perpetual motion while also being stimulated by music especially selected to appeal to infants.  The class will be comprised of a few, Pilates based, core strengthening exercises, followed by a simple yet challenging ballet barre that will focus on proper alignment and overall body conditioning.  Class will culminate with some movements done in the center without the barre that will get mom and baby waltzing and twirling like real ballerinas!  The class is from 12-1 p.m. on Tuesdays or 5-6 p.m. on Thursdays.

*Not available for drop-ins, only punch cards and full registrations.

Baby Wearing Ballet

Yoga for All is for adults and students in Level 4 and up incorporates breath in movement, stretching and strengthening as well as core awareness through yoga poses and flow postures. Class will help students build strength, flexibility and endurance. Beginner to advanced are welcome!  Taught by Mieke Scripps Doctor of Physical Therapy, Dance Medicine Specialist, and Yoga instructor, the class is from 5-6 p.m. on Wednesdays.

Beginning Tango is taught by Colorado Ballet's Ballet Mistress Lorita Travaglia.  Come learn the passionate and romantic tango!  The class is from 6-7 p.m. on Thursdays.

Open class fees: 

  • Drop in per class - $15
  • 4 class punch card - $57
  • 10 class punch card - $125
  • 2014-2015 Year-1 class - $350
  • 2014-2015 Year-2 classes - $675

Click here to check out these and other great open classes!

Academy Midsummer audition location and 2014-2015 class location

Friday, August 22, 2014

Colorado Ballet is in the process of moving to its new home in Denver's Art District on Santa Fe, so here are a couple of alerts about audition and class locations.

 

Saturday Academy audition for A Midsummer Night's Dream

The Colorado Ballet Academy audition for A Midsummer Night's Dream will take place from 3 p.m. to 6 p.m. this Saturday, August 23 at Colorado Ballet's Lincoln Street location - 1278 Lincoln Street, Denver, CO 80203.  Please note that we will be moving to our new location on Saturday and due to the move, phones and e-mail have been shut down (as of noon on August 21), so we will not be able to check messages until Monday, August 25.

  

The audition will take place upstairs in Studio A.  The audition is for students heights 4’2-5’.  All participants must be at least 8 years old and participate in our ballet program, which includes levels 1-7.  Students are expected to attend ALL rehearsals, which will generally be held on Wednesdays and Saturdays through opening night.  Performance dates are September 26, 27, 28, and October 3, 4, 5.  To audition, you must be a registered student for Colorado Ballet Academy's 2014-2015 session.  The audition fee is $25 and participation cost is $75.

Click here to download the audition application.

 

2014-2015 Academy Classes will start on Monday at new location!

Classes for Colorado Ballet Academy's 2014-2015 session will start on Monday, August 25, 2014 at Colorado Ballet's new home - 1075 Santa Fe Drive, Denver, CO 80204.  Come take class in our new state-of-the-art Academy studios!  Please note that the main entrance to Colorado Ballet's new home is through the parking lot on the 11th Street side of the building.

 

Ballet Program: The Academy provides training to students ages 3 through adult, beginner through professional, utilizing the most current schools of ballet training. We incorporate traditional ballet pedagogy into our ballet curriculum and secure teachers with extensive experience. In addition to ballet we offer modern, jazz, pilates, yoga and boys only classes, in order to train well educated and healthy dancers. Our students are versatile and company ready when they graduate.

Click here for information about the Ballet Program.

 

Open Program: We offer many different Open Classes for students who wish to have a more flexible and less intensive training experience.  New classes in the open program include Yoga for All, Beginning Tango, and Baby Wearing Ballet.

Click here for information about the Open Program.

 

Parking information at Colorado Ballet's new home

At Colorado Ballet’s new home, similar to our current situation, all parking spots in the adjacent lot are reserved and assigned to specific dancers and staff.  Dancers and staff may leave and come back throughout the day, so please do not take a spot just because it appears to be free.  The new location offers much safer Academy student drop off and pick up.  Academy families are welcome to circle the lot while picking up their children as long as they do not block the lot.

 

Our new location offers an abundance of free parking throughout the neighborhood.  Santa Fe Drive has free 2 hour parking.  North of 11th Avenue, parking is free for 1 hour.  Kalamath Street south of 11th Avenue offers free parking all day.  Surrounding residential neighborhoods also offer free parking all day.  Please watch for signs around street sweeping days and other parking restrictions.

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