Sarah Tryon

Sarah Tryon was born in Hanmer, Ontario, Canada and at the age of 11, was accepted to train at Canada's National Ballet School. During her six years with NBS, Sarah was selected to partake in exchange programs with various international schools including Pacific Northwest Ballet School in Seattle, École Supérieur De Danse Rosella Hightower in Cannes France, and Tanz Akademie Zurich in Switzerland. After graduating in 2010, she moved to New York City to train with world-renowned coach Edward Ellison. In 2013, Sarah joined the Sarasota Ballet as a corps de ballet member. Since joining Colorado Ballet in 2015, she has performed many corps and notable roles.

Hometown:
Hanmer, Ontario, Canada

Dance training and awards:
Canada's National Ballet School, graduated in 2010
Exchange programs at Pacific Northwest Ballet School, École Supérieur De Danse Rosella Hightower in Cannes France, and Tanz Akademie Zurich in Switzerland
Additional training with Edward Ellison

Joined Colorado Ballet:
2015

Selected roles and ballets:
Effy in Bournonville's La Sylphide
Clara in The Nutcracker
Twin, Four Little Flamingos and Card in Septime Webre's ALICE (in wonderland)
First duet in Dominic Walsh's Wolfgang (for Webb)
Jiří Kylián’s Petite Mort
Dark Angel in Balanchine’s Serenade
Aqua in Bruch Violin Concerto No. 1
Balanchine’s Who Cares?
Balanchine’s Four Temperaments
Balanchine’s Rubies
Ashton’s Façade
Ashton’s La Fille Mal Gardée
Ashton’s Sinfonietta
Ashton’s Les Patineurs
Ashton’s Montones I
Christopher Bruces’ Sergeant Early’s Dream
Will Tuckett’s Lux Aterna
Agnes De Milles’ Rodeo
Antony Tudor's Gala Performance
Mikhail Fokine’s Petrushka
Paul Taylor’s Company B
Nureyev’s Raymonda

More about Sarah:
During her two seasons with the Sarasota Ballet, Sarah performed many works by major choreographers such as George Balanchine, Agnes DeMille, Will Tuckett, Rudolph Nureyev, Christopher Bruce, Mikhail Fokine, Paul Taylor, Sir Antony Tudor, and Sir Frederick Ashton.

Photos: Sarah Tryon by David Andrews, by Allen Birnbach, by Mike Watson

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