Summer Intensive: June 16 - July 25, 2014
Special guest instructors: Stella Abrera, Dana Benton, Gil Boggs, Erica Fischbach, John Gardner, Domenico Luciano, Valerie Madonia, Amanda McKerrow, Sascha Radetsky, Judy Rice, Igor Vassine, Dominic Walsh, and Sharon Wehner
SIP 2014 program
Colorado Ballet Academy offers a Summer Intensive program for the young dancer through pre-professional levels. The Academy has a history of transitioning students into the Colorado Ballet Company along with other companies worldwide. With internationally renowned master teachers and our own highly regarded school faculty, our program provides appropriate ballet technique classes designed to provide far reaching improvement for each student.
Students can choose a residential or day program from June 16-July 25, with the option of attending two, four, five or six weeks. Students wishing to perform at the conclusion of the program must attend the 4, 5 or 6 week option.
Focus is placed on developing the whole dancer by offering classes according to level in ballet technique, pre-pointe, pointe, men's class,variations, pas de deux, modern, contemporary, character, pilates, body conditioning as well as lectures on injury prevention, nutrition and dance history. For more information regarding tuition for the summer intensive please click here.
* All students attending our Summer Intensive will be considered for our year-long pre-professional program as well as the opportunity to join the Colorado Ballet’s Studio Company.
Summer Intensive Program Audition Application
Admission to the Summer Intensive Program is by audition only. Applicants may audition in person or submit a high-quality DVD video or YouTube link (may be set to private by shared link). There is a $25 application fee if paid in advance, $30 if paid at time of audition, and $35 if applying by DVD/YouTube; please make checks payable to Colorado Ballet Academy. Upon receipt of your acceptance letter please fill out an acceptance packet to secure your spot in the program.
Video Audition Instructions
Colorado Ballet Academy gives first preference to students who audition in person. However, we do accept videos (non returnable) if circumstances prevent you from attending a live audition. There is a $35 video audition fee, which may be paid by check or money order made out to "Colorado Ballet Academy". The video must be recorded within 3 months prior to submission and video must be received no later than March 17, 2014. The video must be in a DVD format ready to view on American DVD players or as YouTube link. Please enclose an audition registration form. Results will be communicated in April. Please mail your application with your photo (1st arabesque, 5x7 inches), DVD, $35 audition fee, and dance resume (optional) to:
1278 Lincoln Street
Denver, CO 80203
You may also send a YouTube video link to email@example.com. If you do not want to post a video on YouTube for the public, the video can be private between shared links. Please note: we will not view any YouTube auditions without an accompanying application and audition fee.
The videotape for an individual or class should include the following:
Barre Work one side
Student housing is available for participants of all ages at Johnson-McFarlane Hall at the University of Denver, located at 1901 E. Iliff Ave., Denver, CO. Students under the age of 18 participating in our housing will be supervised at all times.
All students may check-in the night before the start of the program on June 16, 2012 from 3pm-5pm. There will be a Welcome Meeting at 5:30pm and will have an optional group dinner following the meeting. Please visit our Summer Housing page for more information.
Erica Fischbach began her training in ballet and Highland Dance with Theresa Bullard’s Kalamazoo Ballet Company at the age of seven. When she was 12, her family moved to Milwaukee, where she studied at the Milwaukee Ballet under the direction of Ted Kivett and Basil Thompson. She also trained privately with former Israeli Ballet principal, Mariana Laufer, before heading off to North Carolina School of the Arts for three years. There she studied primarily with one of Balanchine’s most important muses, Melissa Hayden, as well as former NYCB principal Mimi Paul, ABT’s Fanchon Cordell, and Ballet Russe’s Duncan Noble.
During her first months as a professional dancer, Ms. Fischbach had the privilege of dancing Balanchine ballets as a principal under the direction of Edward Villella. She then moved to Pacific Northwest Ballet where she quickly rose to soloist rank. While there, Ms. Fischbach performed principal roles in many Balanchine ballets as well as in works by the world’s foremost choreographers including Anthony Tudor, Paul Taylor, Lar Lubovitch, Jose Limon, and Lynn Taylor-Corbett.
After nine years with PNB, Ms. Fischbach took two years away from company life to freelance as a guest artist, as well as teach ballet, pilates, and Gyrotonic based classes. In 1996 she was invited to join the American Ballet Theatre, where she danced until 2005. There she danced many soloist and principal roles in ballets by Balanchine, Mark Morris, Lar Lubovitch, Jiri Kylian, Twyla Tharp, Agnes DeMille, Paul Taylor, and Anthony Tudor. Ms. Fischbach had roles created for her in world premier ballets by Lar Lubovitch, Mark Morris, Twyla Tharp, Paul Taylor, and director Kevin McKenzie. She also enjoyed featured roles in the full classical repertoire including Swan Lake, La Bayadere, Romeo and Juliet, Don Quixote, Giselle, Coppelia, Raymonda, and Le Corsaire. On September 8, 2001, Ms. Fischbach was featured as a principal guest artist for Twyla Tharp performing Tharp’s “Sinatra Suite” at the World Trade Center in New York City. Ms. Fischbach has been featured in several “Dance in America” films, the PNB “Nutcracker”, and “Center Stage”.
Ms. Fischbach began working as the Artistic Director of Southold Ballet in Indiana in 2008. She has been praised for her choreography and adaptations of the famous Classic Ballets to incorporate dancers of all ages for Southold. In 2013, YAGP honored Ms. Fischbach with the “Outstanding Teacher” award. She is an American Ballet Theatre Curriculum certified teacher as well as a certified Gyrotonic instructor. Her graduating students have been accepted into the top collegiate dance programs in the country, Complexions Contemporary Dance, and Paul Taylor.
John Gardner was born in Lafayette, Louisiana, where he began his ballet training with Gwen Ashton. He subsequently trained at the National Academy of Dance in Champaign, Illinois, under the direction of Michael Maule. He received a scholarship to the American Ballet Theatre School summer program in 1977, and was invited to join the second company thereafter. In 1978 Mr. Gardner joined the main company of American Ballet Theatre, and was promoted to the rank of Soloist in 1984. Mr. Gardner’s diverse repertoire included many Soloist and Principal roles, represented an extensive range of styles, and afforded him the opportunity to work with many of the master choreographers of the twentieth century, including Antony Tudor, George Balanchine, Jerome Robbins, Agnes DeMille, Martha Graham, and Twyla Tharp.
In 1991 Mr. Gardner was invited to dance with Mikhail Baryshnikov’s White Oak Dance Project. He danced with the company for five years, and worked closely with many acclaimed modern dance choreographers, most notably Merce Cunningham, Paul Taylor, Mark Morris, Lar Lubovitch, and David Gordan. Mr. Gardner created numerous roles during his time with White Oak Dance Project, and toured extensively throughout the United States, Europe, Asia, South America, and Australia. He returned to American Ballet Theatre as a Soloist in 1996, and continued to perform with the company until 2002.
After retiring from the stage Mr. Gardner began to pursue a career as a teacher and coach. He taught the graded level program at Ballet Academy East in New York City for three years. During this time he also taught at various dance studios around the city, including Broadway Dance, where he had the privilege of working as a substitute teacher for the Master Teacher David Howard upon his request. Mr. Gardner has enjoyed his development as a teacher, coach, ballet master, and choreographer over the years, and has worked extensively at both the professional and student levels. He is a sanctioned repetiteur for the Antony Tudor Ballet Trust, and also stages the ballets of Agnes DeMille and Benjamin Millepied. He has been invited to work in these many capacities for ballet companies and schools around the world, including American Ballet Theatre, Colorado Ballet, Ballet West, Houston Ballet, Royal New Zealand Ballet, and Washington Ballet. Mr. Gardner is married to fellow dancer and repetiteur Amanda McKerrow.
Domenico Luciano was born in Naples, Italy and graduated from Royal Teatro di San Carlo Ballet School in Naples in 1999. In the same year, Mr. Luciano was invited to join the Deutsche Open am Rhein in Dusseldorf, Germany. After dancing with several companies in Europe including Europadance in France, Maggio Danza in Florence, Teatro Dell’Opera in Rome and Teatro di San Carlo in Naples, in 2004 Mr. Luciano joined Tulsa Ballet as a Demi-Soloist. In 2005, he joined Dominic Walsh Dance Theater in Houston as Principal Dancer. His repertoire includes many of the classical principal leads such as Romeo, Paris, and Benvolio in both Sir Kenneth MacMillan and John Cranko's Romeo & Juliet; Romeo and Paris in Amedeo Amodio’s Romeo & Juliet with Eleonora Abbagnato, Etoile with Paris Opera Ballet; Solor in La Bayadere, The Prince in The Nutcracker, and Albrecht in Giselle, all by Derek Dean; In the Night by Jerome Robbins; Onegin in John Cranko’s Onegin; Roland Petit's Ma Pavlova with international ballerina Lucia Lacarra; and Don Jose with the National Ballet of China in Carmen. Mr. Luciano also excels in his contemporary repertoire, which includes George Balanchine’s La Valse; Nacho Duato’s Jardi Tancat and Without Words; and Orfeo in Carole Armitage’s Orfeo and Eurydice. With Dominic Walsh Dance Theater he performed Matz Ek’s Pas de Dans, Jirí Kylián’s Double You and 27’52’’, and the role of the White Swan in the White Swan pas de deux from Matthew Bourne’s Swan Lake, Le Spectre de la Rose, Desire in Sleeping Beauty, Tybalt in Romeo & Juliet, The Firebird with Paris Opera Ballet Étoile Marie-Agnès Gillot. As an international Principal Guest Artist, Mr. Luciano danced in production with Tulsa Ballet, Ballet Quad Cities, The Sarasota Ballet of Florida, Atlanta Ballet, Grand Rapids Ballet, National Ballet of China and The New National Theater in Tokyo. Mr. Luciano is also invited to various national and International Galas and Dance Festivals. In 2003, he received the Leonide Massine award in Positano, Italy as Best Male Dancer of the Year. In October 2008, the Houston Press named Luciano as “Best Dancer.” He was also named in Pointe Magazine “Standouts: Our 12 favorite performances of 2009” and in 2010 he received the "Young Talent Award" in Florence, Italy at DANZAINFIERA. This is his first season with Colorado Ballet.
Amanda McKerrow has enjoyed a career as one of America’s acclaimed ballerinas. She has the honor of being the first American to receive a gold medal at the International Ballet Competition in Moscow in 1981. Since then, she has been the recipient of numerous other awards, among them the Princess Grace Foundation Dance Fellowship and the New York Woman Award for Dance.
Ms. McKerrow was born in Albuquerque, New Mexico, and began her ballet training at the Twinbrook School of Ballet in Rockville, Maryland, where she completed the syllabus of the Royal Academy of Dance. She then spent two years at the Metropolitan Academy of Dance where she studied the acclaimed Vaganova syllabus. She then studied at the Washington School of Ballet, under the direction of Mary Day, where she danced with the company for two years, touring extensively throughout the United States and Europe.
Ms. McKerrow joined American Ballet Theatre in 1982 under the direction of Mikhail Baryshnikov. She was appointed Soloist in 1983, and became a Principal Dancer in 1987. Her repertoire included the leading roles in Cinderella, Giselle, Romeo and Juliet, Manon, La Bayadere, Coppelia, Don Quixote, The Sleeping Beauty, Swan Lake, La Sylphide, and The Nutcracker. She has received acclaim for her performances in shorter works by Antony Tudor, George Balanchine, Sir Frederick Ashton, Sir Kenneth MacMillan, Jerome Robbins, and Juri Killian. Ms. McKerrow has created roles in ballets by choreographers such as Agnes DeMille, Twyla Tharp, Mark Morris, Clark Tippet, Choo San Goh, and James Kudelka. She has also appeared extensively as a guest artist with ballet companies around the world.
In 2000, after having worked closely with him during his lifetime, Ms. McKerrow began staging the works of Antony Tudor for the Antony Tudor Ballet Trust. She also stages the ballets of Agnes DeMille and Benjamin Millepied, as well as the full length classics such as, Swan Lake, The Sleeping Beauty, Giselle, and Don Quixote. After retiring from performing in 2006, she devotes the majority of her time to teaching, coaching, and staging ballets for professional companies around the world. Among them, American Ballet Theatre, Royal New Zealand Ballet and Colorado Ballet. She is married to fellow dancer and repetiteur, John Gardner.
Judy Rice is a graduate of the National Ballet School of Canada and has performed extensively across the U.S. and Canada including the Joffrey Ballet, the National Tap Dance Company of Canada and American Ballet Comedy. She has 20 years experience teaching for regional companies and festivals as well as Company Dance, DMA, DEA, CNADM, SADM, 3D Dance Network, The Joffrey Ballet School, The Joffrey Ballet, Steps and the Dance Teacher Magazine Summer Conference. Rice has been a judge for ADA, HEADLINERS and has been on the faculty for Dance Masters Teacher Training School and CNADM training school. She was a contributing writer to GOLDRUSH magazine.
In May of 2000, Rice co-founded Behind Barres with pianist Paul Lewis and producer Rob Martens and to date they have produced 11 albums of ballet class music, which was featured on ABC’s hit show Lost, and have released 7 educational DVD’s. Rice’s television credits include Fame, All My Children, The Tonight Show Starring Johnny Carson and The Great American Dance Challenge. Since 1990 she has been an associate professor of performing arts at the University of Michigan and has been on the faculty at Broadway Dance Center, Pace University and Peridance in NYC. Rice has also been an ambassador for lululemon athletica. Most recently she has served as private ballet coach for Katie Holmes and Amy Adams and as collaborator to Tyce Diorio for his choreography for Fox television's So You Think You Can Dance.
Sharon Wehner is originally from San Jose, California. She trained with Jody White and David Roxander, San Jose Dance Theatre, San Francisco Ballet and San Jose/Cleveland Ballet. Ms. Wehner joined Colorado Ballet in 1995 and was promoted to Principal in 1999, and in the last 18 years, has performed many lead roles with the Company. These include Kitri in Don Quixote, Giselle in Giselle, Odette/Odile in Swan Lake, Medora in Le Corsaire, Aurora in The Sleeping Beauty, Swanilda in Coppelia, Mina in Dracula, Juliet in Romeo & Juliet, the Principal couple in Balanchine’s Stars and Stripes, Rubies, and Theme and Variations, Antony Tudor’s Leaves are Fading, and Twyla Tharpe’s In The Upper Room.